Video Innovation Abstract
The New York Times2016 — 2020

Innovation in
Video & Motion

Blurring the lines between data visualization, cinematography, and sound design.

Focus

Visual Journalism

Techniques

Motion Capture, Data Viz, VFX

Video is not just for capturing reality; it's for explaining it.

This collection represents a shift in how we approached video at The Times. Moving beyond traditional documentary, we employed techniques from motion graphics, data sonification, and procedural generation to reveal layers of a story that the camera alone couldn't see.

Signature Series

Explorations into music, movement, and data.

01Make a Hit

Bieber, Skrillex & Diplo

Deconstructing the sound design of a global pop hit. We visualized the isolated audio stems of 'Where Are Ü Now' to show how a Justin Bieber ballad was transformed into an EDM masterpiece.

Watch Film
Motion Analysis
Edward R. Murrow Award
Malofiej: Gold Medal

The Process

We worked directly with Skrillex and Diplo to get the raw project files. The challenge was to make sound visible. We didn't just want standard waveforms; we created a visual language where the distorted dolphin sound, the bass drop, and the vocals each had a distinct motion identity, creating a 'music video for the ears.'

Detail 1
Detail 2
02Kronos Quartet

Inside the Quartet

Visualizing the invisible communication between musicians. Using motion capture and particle systems to reveal how the Kronos Quartet stays in sync without a conductor.

Watch Film
Motion Analysis
News & Doc Emmy Nomination
SND: Best of Digital Design

The Process

We set up a motion capture stage to record the bow movements of the quartet. By mapping this data to particle systems in WebGL, we could show the precise timing and 'breathing' of the group. The result is a visualization where you can see the music's structure in the physical gestures of the performers.

Detail 1
Detail 2
03Data Cinema

All the Medalists

A cinematic data visualization for the Olympics. Focusing on key sports like track, swimming, and long jump, we created a novel view of human progress, merging all Olympics results back to the beginning of the Games.

Watch Film
Part 2
Part 2
Part 3
Part 3
Motion Analysis
News & Doc Emmy Nomination
Edward R. Murrow Award

The Process

This was an experiment in 'Data Cinema.' We turned the fields of play into charts themselves. Narrative data storytelling then revealed the incredible continued human progress in some sports, like the 100-meter dash, and where progress had stalled out as in the long jump, where records stood for decades without being smashed.

Detail 1
Detail 2

More Videos

Selected visual investigations and features

Back to Selected Works